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Art & Soul
Nurses draw upon their imaginations to produce creative works and carve out new approaches to patient care

 
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Working for a time in pediatrics showed Kathleen Thompson, RN, that nursing is the right career for her and that sometimes it's better that dreams don't come true. From her first days on the back of a half-Arabian horse as a 12-year-old in Arizona, she grew up wanting to be a veterinarian.

"I found that when I was in pediatrics working with children, they can't tell you what's wrong. It drove me crazy," Thompson said. "And it's the same thing with the animals. I don't know if I really would have been able to do that long term."

Thompson, 41, now works at the other end of the spectrum from pediatrics in a cardiac stepdown unit at St. John's Regional Health Center in Springfield, Mo. Besides the adult patients, a bank of telemetry monitors tells her exactly what's going on.

The 31-bed unit often runs at full capacity, which Thompson attributes to growth in the Ozarks. "For three months," she said, "we've been sending patients home, stat cleaning the beds and bringing patients up from the ER or CCU who have been waiting for six to eight hours for a bed."

The cardiac unit also is where Thompson can practice patient education, one of the things she likes best and the reason she plans to pursue a BSN degree and, eventually, a position as a patient educator. "I spend a lot of time sitting with patients and doing education," she said. "The BSN would be enough to get me where I want to be. I don't see myself going into management because, frankly, I like direct patient care."

Thompson said it took as long as 10 years-more than half of her 19-year career-to internalize that she couldn't fix everything and everyone. "Up until then, I would come home and worry about Mrs. Smith or Mr. Doe," she said. "Being able to leave [patients] at work was probably the hardest thing I had to learn-and the most important."

Nursing skills still go home with Thompson, however, to 40 picturesque acres in Buffalo, Mo. There, besides three children, she cares for three Arabian horses, 18 Nubian goats (the ones with long ears) that she milks and breeds, and four fox terriers she shows in national competitions. "We call them fox terrors," Thompson said of her "old lady dog," 15-year-old champion Patches and the others that include Patches' great-grandson, Harley.

Except for sutures and major veterinary issues, Thompson said she rarely needs a vet because of her nursing experience. She does her own vaccinating, worming, hoof trimming and most other medical care.

"In March, I had a baby goat born during a really bad cold spell," Thompson said. "He had gotten chilled to the point he was limp and barely breathing. Without my nursing background, I would've lost the kid."

She knew to bathe the newborn in hot water to raise its body temperature. Then she sat with him in a heating blanket, tube feeding him by the ounce through the night. In late April, the kid was 5 weeks old with a hearty appetite, so much so that he jerks a feed bottle out of her hand, Thompson said.

"I have lost kids, unfortunately, but I probably save more than I lose," she said. "The same with baby horses when I've had problems with them."

The acreage and animals are her refuge. "My front yard looks out over my big old red barn and a pasture and then up into a woods on a hill," Thompson said. "It's fairly private. I sit down and pick up a book or pick up my guitar or the computer after I've taken care of the animals and done my playing with them and shut myself away from the world."

But by the time her days off are over, Thompson said she looks forward to the next eight-hour shift at St. John's, much the same as she looks forward to home at the end of the workday.

At home, the phone-equipped with an answering machine-usually isn't allowed to intrude because, as Thompson said, "If work calls and asks me to go in, I'm a soft touch. If the machine picks up, I don't have to tell somebody 'No.' I know a lot of people who handle it that way."


 

 

 

 

 

 

 
 
 

Watercolor by Priscilla M. Kline
 
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Selected Reading

After Mother's Fall
Water Story
Not Mine
A Lesson from the 'Phantom'


Different Strokes

A patient's preference for art may depend on the severity of the illness

Not all art is healing for everyone. Dore Shepard,
MS, RN, nurse manager at the Barbara Ann Karmanos Cancer Institute at the
Detroit Medical Center, has noticed that patients react differently to various pictures on their walls, depending on how ill they are.

Many very ill and dying patients and their families can't stand angular abstract art, Shepard said. "It upsets the patients. They would rather put sheets and pillow cases over the art in their rooms than look at it."

Shepard and a Texas physician are planning a scientific study of patients' art preferences, according to the severity of their illness and ethnicity. The results of the study, she hopes, will help designers choose art
for patients' rooms.

Shepard herself spent much time choosing artwork when the cancer institute asked her to help redesign two oncology units to create a healing environment. She selected a number of paintings and drawings by local artists and asked staff members and patients to help her pick out the art for rooms, workspaces and public areas.

Shepard, who rearranges the art in her own office when she wants to relax, believes art is important to patients and staff at the cancer center. "I don't think anyone sits and looks at it day to day," she said. "But it's like having a good piece of artwork in your house. It makes you feel at home."

Nurses, she said, wanted landscapes and floral paintings for their areas. For a conference room-which nurses said they wanted painted baby blue-they
chose scenes of boats on water. They opposed a checkerboard-pattern floor, proposed by an architect. "They wanted a calm color, from floor to walls,"
Shepard said.

Female patients also liked landscapes and floral pictures, she said. Recovering male patients chose angular abstract art.

Shepard didn't particularly like the abstract art, but the strong reaction to it from dying male and female patients surprised her. "If I had to do it again, I wouldn't put abstract art in a dying patient's room," she said.

She avoided the color
orange because it makes many oncology patients nauseated, she said. Because some women in
the unit have undergone mastectomies, she was careful not to include
pictures of women breast-feeding.

She also paid attention to how the art in patient rooms were hung. Patients do not like pictures with eyes staring directly at them while they are in bed, she said.

But almost all patients liked scenes with paths or roads. "People in the hospital like the scene to lead them someplace," she said. "It gives them the feeling of escape out of the environment where they are."

Using artwork, comfortable furniture, soft colors and healing designs, Shepard hoped to improve that environment for them. With the artwork, she has definitely succeeded.

"My artwork has been very popular with the patients," she said. "So much so that it's been stolen."

Recommended Reading


The HeART of Nursing: Expressions of Creative Art in Nursing is a collection of poems, stories, essays and visual artwork-including photos, paintings, sculpture and quilting-by 61 nurse artists. Edited by M. Cecilia Wendler, Ph.D., RN, it will
be published in June by Center Nursing Publishing, Sigma Theta Tau International Honor Society
of Nursing. The collection
will be listed in the publication's catalog on the society's Web site at www.nursingsociety.org.

Sigma Theta Tau
International Honor Society
of Nursing also has sponsored "The HeART of Nursing," a display of creative and expressive arts by nurses at its biennial conventions in 1999 and 2001. Previous exhibits have featured dance, doll-making, quilting, music, needlework, mosaics, paintings, sculpture, visual images and writing. The organization will solicit artwork in the fall for its 2003 convention in Toronto.

Intensive Care: More Poetry and Prose by Nurses edited by Cortney Davis, NP, and Judy Schaefer, MA, RN, will be published by the University of Iowa Press next spring. To check on this publication and to order the earlier anthology, Between the Heartbeats: Poetry and Prose by Nurses, visit the University of Iowa Web site at www.uiowa.edu/uiowapress/. Davis is also the author of I Knew a Woman: the Experience of the Female Body (Random House) and
of two poetry collections, Details of Flesh (Calyx Books) and The Body Flute (Adastra Press).

Davis recommends visiting the literature, arts and medicine database at http://endeavor.med.nyu.
edu/lit-med/lit-med-db/topview.html
. She also offers exercises for nurses
and other caregivers interested in creative writing at www.cortneydavis.com.

Veneta Masson has published a book of poetry, Rehab at the Florida Avenue Grill and a book of essays, Ninth Street Notebook. Her work may be ordered at www.windowonnursing.com.

Daniel J. Pesut's book, Clinical Reasoning: The Art
& Science of Critical and Creative Thinking, co-authored with Joanne Herman, may be ordered through DelmarNursing at www.delmarnursing.com.

Melodie Chenevert's work, including a coloring book for children, What Do Nurses Do?, and a poem, "Being a Nurse Means …," may be ordered from Pro-Nurse at www.pronurse.com.